| LEON GOLUB / NANCY SPERO Ausstellungsdauer Duration 10. 04. - 25. 05. 2003 |
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NANCY SPERO |
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Wir zeigen die erste gemeinsame Ausstellung der New Yorker Künstler LEON GOLUB (geb.1922) und NANCY SPERO (geb.1926), die seit 1991 immer wieder mit Einzel-ausstellungen in der Galerie präsent waren. Beide haben in ihren gesellschaftskritischen Arbeiten seit den frühen 50er Jahren Krieg und Gewalt thematisiert. Für dieses Lebenswerk erhielten sie 1996 den Hiroshima Art Prize, den weltweit renommiertesten Kunstpreis. |
We are showing the first joint exhibition of New York artists LEON GOLUB (born 1922) and NANCY SPERO (born 1926), who have been represented by the gallery with solo exhibitions since 1991. They were awarded the 3rd Hiroshima Art Prize in 1996. Leon Golub was participant of documenta 11 in 2002, Nancy Spero of documenta 10 in 1997. Since the very beginning of their creative activities in the early 50ies they have consistently taken up various issues related to war, violence and human rights, creating works with powerful messages from their respective viewpoints as a man and as a woman. |
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Nancy Spero verwendet Frauenbildnisse aus unterschiedlichen Epochen und Kulturen, die sie als Prototypen in ihre Collagen einfügt. Sie löst diese damit aus ihrem ursprünglichen Kontext und stellt sie in neue Zusammenhänge. |
Nancy Spero is choosing images of women from various periods and cultures for her collages, always dealing with war and cult. For her, history is a history of wars and therefore a history of women, of victims as well as of surviving. |
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Leon Golub hat sich in den letzten Jahren von der expliziten Darstellung konfrontations-geladener Bilder abgewandt. Seine Kommentare bleiben aber auch in den neueren Arbeiten sardonisch, manchmal auch scharf. Sie unterstreichen die Aktionen auf der Leinwand und widersprechen ihnen zugleich. Hunde, Löwen, Cyborgs repräsentieren Elemente der Aggression, des Unheimlichen und des Irrationalen. "I have pictured some of the events and some of the kinds of experiences that undercut our current world pictures, that is to say the effects of power and domination, the uses of interrogation to control dissidence or opposition, how such behaviours effect the consciousness and psychic responses of victimizers and victims and also to indicate some of the public and private behavioral gestures of men acting out real time reactive scenarios.“ (Leon Golub) |
"I have pictured some of the events and some of the kinds of experiences that undercut our current world pictures, that is to say the effects of power and domination, the uses of interrogation to control dissidence or opposition, how such behaviours effect the consciousness and psychic responses of victimizers and victims and also to indicate some of the public and private behavioral gestures of men acting out real time reactive scenarios.“ (Leon Golub) |
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| (Ausgewählte Texte von Leon Golub 1948-1996, Do Paintings Bite?, hrsg. von Hans-Ulrich Obrist, Cantz 1997.) | (Selected texts by Leon Golub 1948-1996, Do Paintings Bite?, edit. by Hans-Ulrich Obrist, Cantz 1997.) | |||||
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